[et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” width=”90%” custom_padding=”||35px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _dynamic_attributes=”content” _module_preset=”default” header_font_size=”70px” header_line_height=”1.2em” header_font_size_tablet=”65px” header_font_size_phone=”55px” header_font_size_last_edited=”on|phone” global_module=”466″ saved_tabs=”all” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IjxoMT4iLCJhZnRlciI6IjwvaDE+IiwiZW5hYmxlX2h0bWwiOiJvZmYifX0=@[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” header_2_font_size=”34px” header_2_line_height=”1.2em” header_2_font_size_tablet=”34px” header_2_font_size_phone=”34px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
With this introduction, a person seems predestined to be known. She is not noble by title nor rich by possessions \u2014 she is so by drive and creativity. <\/p>\n
Born in Castell\u00f3n and Valencian-Lisboan by choice, she brings an aesthetic charm to her everyday life through her visual expressions.<\/p>\n
Today, while many artists search the internet, Alejandra continues to look for inspiration in charismatic flea markets around the world.<\/p>\n
In addition to venturing into abandoned houses to admire the wallpaper, she delights like no one else in paying for a 30-year-old fan that no longer works. \u201cExotic behaviour,\u201d thinks the seller as he places a rusty, useless toaster into the bag, reading in her eager eyes the intention of doing who-knows-what with it. <\/p>\n
A founding member of Comando Marisol, she happily weaves her way through painting to dive \u2014 whenever time allows \u2014 into a multidisciplinary tide of happenings, street art, sculpture and a long etcetera that travels from the Atlantic to the Mediterranean with a single purpose: to create relentlessly, not because time is running out, but out of sheer necessity.<\/p>\n
\u2013 Nacho Dur\u00e1<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/alejandradelatorre.com\/wp-content\/uploads\/2025\/10\/20231026_102939_040-1.jpg” alt=”\u00abHerencias 11\u00bb T\u00e9cnica mixta (acr\u00edlico, rotulador, spray) sobre lienzo. 140 x 140 cm ” title_text=”20231026_102939_040 (1)” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” width=”100%” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” border_width_top=”1px” locked=”off” global_colors_info=”{}”][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” header_2_font_size=”34px” header_2_line_height=”1.2em” header_2_font_size_tablet=”34px” header_2_font_size_phone=”34px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Castell\u00f3n (Spain). 1983<\/p>\n She holds a Bachelor\u2019s Degree in Fine Arts from the Polytechnic University of Valencia (2007). She also studied at the Faculdade de Belas Artes in Lisbon (2005\u20132006). She has been awarded grants such as the 3CMCV from the Consortium of Museums of the Valencian Community (2015), the \u201cH\u00e0bitat Art\u00edstic\u201d Grant from the City Council of Castell\u00f3n (2012 and 2018), and several collaboration grants with the Polytechnic University of Valencia in the Painting Department, among others. <\/p>\n Her work focuses on the visual arts, developed through different languages ranging from street art to installation.<\/p>\n The central theme of her work is objects and the bonds we develop with them: the human need to possess and accumulate, memories turned into things, and the passing of time. She also uses the object not only to speak about itself, but as a narrative element to address other themes such as youth precarity and gender inequality. <\/p>\n Since 2003, she has taken part in numerous group and solo exhibitions around the world. She has also participated in various art fairs such as \u201cJust MAD,\u201d \u201cArt Madrid,\u201d \u201cArt Context Miami,\u201d \u201cVerona Art Fair,\u201d and \u201cMarte.\u201d <\/p>\n Her works can be found in private collections in Spain, Portugal, Belgium, England and the United States, as well as in the Art Collection of the Polytechnic University of Valencia, the City Council of Castell\u00f3n, the City Council of Valencia and the City Council of Paterna.<\/p>\n [\/et_pb_text][et_pb_button button_url=”<!–[CDATA[https:\/\/alejandradelatorre.com\/wp-content\/uploads\/2025\/12\/Curriculo-artistico-Alejandra-de-la-Torre-2025.pdf]]–>” button_text=”Download CV” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”18px” button_text_color=”#FFFFFF” button_bg_color=”#000000″ button_border_width=”0px” button_border_radius=”0px” button_icon=”"||divi||400″ global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” header_2_font_size=”34px” header_2_line_height=”1.2em” header_2_font_size_tablet=”34px” header_2_font_size_phone=”34px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_toggle title=”Studies” icon_color=”#000000″ toggle_icon=”'||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”&||divi||400″ _builder_version=”4.27.4″ _module_preset=”default” title_text_color=”#000000″ title_level=”h3″ title_font=”||||||||” background_color=”RGBA(255,255,255,0)” custom_margin=”||7px|||” custom_padding=”16px|||||” border_width_all=”0px” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n 2019 <\/strong>Postgraduate degree in Illustration Applied to Design. IDEP. Barcelona <\/p>\n 2012<\/strong> Master’s Degree in Artistic Production, (UPV), completed with a grade of Outstanding \u2013 Honours, in the final Master’s project.<\/p>\n 2007<\/strong> Bachelor’s Degree in Fine Arts, Painting. Polytechnic University of Valencia (UPV) <\/p>\n [\/et_pb_toggle][et_pb_toggle title=”Grants and Awards” icon_color=”#000000″ toggle_icon=”'||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”&||divi||400″ _builder_version=”4.27.4″ _module_preset=”default” title_text_color=”#000000″ title_level=”h3″ title_font=”||||||||” background_color=”RGBA(255,255,255,0)” custom_margin=”||7px|||” custom_padding=”16px|||||” border_width_all=”0px” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n 2020<\/strong> \u201cCultura Online #CmcVaCasa\u201d Call. Centro Cultural del Carmen, Valencia [\/et_pb_toggle][et_pb_toggle title=”Art Fairs” icon_color=”#000000″ toggle_icon=”'||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”&||divi||400″ _builder_version=”4.27.4″ _module_preset=”default” title_text_color=”#000000″ title_level=”h3″ title_font=”||||||||” background_color=”RGBA(255,255,255,0)” custom_margin=”||7px|||” custom_padding=”16px|||||” border_width_all=”0px” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n 2023<\/strong> 2021<\/strong> 2020<\/strong> [\/et_pb_toggle][et_pb_toggle title=”Solo Exhibitions (Selection)” icon_color=”#000000″ toggle_icon=”'||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”&||divi||400″ _builder_version=”4.27.4″ _module_preset=”default” title_text_color=”#000000″ title_level=”h3″ title_font=”||||||||” background_color=”RGBA(255,255,255,0)” custom_margin=”||7px|||” custom_padding=”16px|||||” border_width_all=”0px” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n 2025<\/strong> [\/et_pb_toggle][et_pb_toggle title=”Group exhibitions (Selection)” icon_color=”#000000″ toggle_icon=”'||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”&||divi||400″ _builder_version=”4.27.4″ _module_preset=”default” title_text_color=”#000000″ title_level=”h3″ title_font=”||||||||” background_color=”RGBA(255,255,255,0)” custom_margin=”||7px|||” custom_padding=”16px|||||” border_width_all=”0px” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n 2024<\/strong> 2017<\/strong> 2016<\/strong> 2014<\/strong> 2013<\/strong> 2012<\/strong> 2010<\/strong> <\/p>\n [\/et_pb_toggle][et_pb_toggle title=”Urban Projects” icon_color=”#000000″ toggle_icon=”'||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”&||divi||400″ _builder_version=”4.27.4″ _module_preset=”default” title_text_color=”#000000″ title_level=”h3″ title_font=”||||||||” background_color=”RGBA(255,255,255,0)” custom_margin=”||7px|||” custom_padding=”16px|||||” border_width_all=”0px” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n 2024<\/strong> 2023<\/strong> 2022<\/strong> 2021 [\/et_pb_toggle][et_pb_toggle title=”Awards” icon_color=”#000000″ toggle_icon=”'||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”&||divi||400″ _builder_version=”4.27.4″ _module_preset=”default” title_text_color=”#000000″ title_level=”h3″ title_font=”||||||||” background_color=”RGBA(255,255,255,0)” custom_margin=”||7px|||” custom_padding=”16px|||||” border_width_all=”0px” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n 2022<\/strong> 2020<\/strong> 2016<\/strong> Acquisition Prize, Paterna Biennial, Valencia 2015<\/strong> 2014 2013<\/strong> 2012 2010<\/strong> 2009<\/strong> [\/et_pb_toggle][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”50px||||false|false” global_colors_info=”{}”]<\/p>\n Additionally, her works are held in private collections in Spain, Portugal, Germany, Belgium, the United Kingdom and the United States, as well as in the art collection of the Polytechnic University of Valencia, the City Council of Castell\u00f3n, the City Council of Paterna, the City Council of Valencia and the Museum of Contemporary Art of Villafam\u00e9s.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” background_image=”https:\/\/alejandradelatorre.com\/wp-content\/uploads\/2025\/09\/20240126_135455.jpg” parallax=”on” parallax_method=”off” width=”100%” custom_margin=”|-10px||||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”50px||50px||true|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” header_2_font_size=”34px” header_2_line_height=”1.2em” header_2_font_size_tablet=”34px” header_2_font_size_phone=”34px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n If there is one thing that encompasses Alejandra de la Torre\u2019s work in one way or another, it is her deep interest in memory and recollection. This interest led her to focus on the objects around her\u2014especially those with a special value due to the memories attached to them. Starting from her own experience of attachment to her possessions, she began to investigate the bonds we develop with the objects that surround us, the human need to hold on to things, and the boundaries between possession and obsession, paying particular attention to the fine line between what is considered normal and what becomes pathological. Today, beyond using the bond with the object as the central theme of her work, she also employs it as a narrative element to address other topics that interest her, such as youth precarity or gender inequality, to name just a few.<\/p>\n Attachment, accumulation, fear of emptiness, obsession, the concept of possession and memory are key ideas in her practice. It is also important to highlight that, although memory and recollection weave together much of her work, these themes never appear from a paralyzing nostalgia\u2014as if the past had always been better\u2014but rather as a gateway to a joyful and critical revisiting of what has been lived, primarily to learn from experience and move forward through understanding.<\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n She develops her work through painting, combining it with other techniques such as drawing, screen printing, transfer processes and even the inclusion of physical objects, sometimes creating installations where the different elements and techniques feed into one another, guiding the viewer\u2019s gaze. Even when focusing solely on pictorial projects, she is interested in the concept of expanded painting, as she considers the surrounding space to be part of the work itself. For this reason, her pieces often extend beyond the edges of the canvas and spill onto the walls. In many of her projects, the exhibition space is not a mere container for the work but an integral part of it. <\/p>\n Another characteristic of her pictorial research\u2014especially in works with a more installation-based nature\u2014is the use of materials and techniques that could be described as \u201cnon-noble\u201d: everyday materials such as notebook pages, papers found inside old books, scraps, tickets, etc., and even techniques we all learned in school art classes. These elements are interwoven to bring a sense of everyday familiarity to the piece, drawing the viewer closer through materials that are part of their own daily life. [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Alejandra de la Torre Morej\u00f3n de Gir\u00f3nWith this introduction, a person seems predestined to be known. She is not noble by title nor rich by possessions \u2014 she is so by drive and creativity. Born in Castell\u00f3n and Valencian-Lisboan by choice, she brings an aesthetic charm to her everyday life through her visual expressions. Today, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1397","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/pages\/1397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/comments?post=1397"}],"version-history":[{"count":14,"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/pages\/1397\/revisions"}],"predecessor-version":[{"id":2310,"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/pages\/1397\/revisions\/2310"}],"wp:attachment":[{"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/media?parent=1397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Bio<\/h2>\n
She completed a Master\u2019s Degree in Artistic Production at the Polytechnic University of Valencia (2011\u20132012).<\/p>\nCV<\/h2>\n
2018<\/strong> H\u00e0bitat Art\u00edstic Grant, Castell\u00f3n
2016<\/strong> Novos Artistas Meeting, Cidade da Cultura, Santiago de Compostela
2015<\/strong> 3CMCV Project, production grant for emerging artists
2013<\/strong> H\u00e0bitat Art\u00edstic Grant, Castell\u00f3n
2010<\/strong> Collaboration Grant, Painting and Environment Department, Polytechnic University of Valencia
2009<\/strong> Leonardo da Vinci Grant, completed at Diferen\u00e7a Art Gallery, Lisbon
2005-06<\/strong> Erasmus Grant, completed at the Faculdade de Belas Artes de Lisboa<\/p>\n
\u201cHerencias.\u201d Art Context Miami. Espinasse 31 Gallery
\u201cBye bye souvenir.\u201d Verona Art Fair, Verona. Espinasse 31 Gallery
\u201cNasti de plasti.\u201d Just LX, Lisbon. Stand S Gallery
\u201cNasti de plasti.\u201d Just Mad, Madrid. Stand S Gallery (Saisho Gallery)
<\/strong><\/p>\n
\u201cInfinity Art.\u201d Stampa Art Fair, Madrid <\/p>\n
\u201cInfinity Art.\u201d Marte Fair, Castell\u00f3n
\u201cVols una casqueta?\u201d Stand of Galer\u00eda Pepita Lumier, Drawing Room Fair
2019<\/strong>
\u201cLas Olimpiadas.\u201d Stand of the Castell\u00f3n City Council, Marte Fair
2018<\/strong>
\u201cEl estigma del Parado.\u201d Marte Prize Stand, Marte Fair
2015<\/strong>
\u201cAT TIME.\u201d Galer\u00eda Shiras Stand, Marte Art Fair
2011<\/strong>
IKAS-ART Fair, BEC Bilbao, representing the Polytechnic University of Valencia <\/p>\n
\u201cHerencias 2012-2024\u201d. ECO Les Aules. Castell\u00f3
\u201cTrastero n\u00ba1926.\u201d Filtre Exhibition Space, Valencia
2023<\/strong>
\u201cNasti de Plasti.\u201d Espinasse 31 Gallery, Madrid
\u201cLa \u00faltima de Herencias.\u201d Navel Art, Madrid
\u201cEl enfado.\u201d MUVIM Hall, Valencia
2022<\/strong>
\u201cBye bye Souvenir.\u201d Galer\u00eda Cuatro, Valencia
2021<\/strong>
\u201cLa belleza de la Acumulaci\u00f3n.\u201d MACVAC, Villafam\u00e9s
2018<\/strong>
\u201cBitter cotton candy.\u201d Galer\u00eda Mad is Mad, Madrid
2016<\/strong>
\u201cVHS,\u201d curated by Escalera de Incendios. Galer\u00eda Anaglifos, Barcelona
\u201cVale por un viaje.\u201d Galer\u00eda Pepita Lumier, Valencia
\u201cGROW UP.\u201d Espai d\u2019Art, Nuevo Centro, Valencia
2015<\/strong>
\u201cSeptiembre. Reflexiones sobre el acto de coleccionar.\u201d Las Naves, Valencia
2010<\/strong>
\u201cAcumulaciones y Fetiches,\u201d Galer\u00eda Diferen\u00e7a, Lisbon
\u201cAcumulaciones y Fetiches,\u201d Galer\u00eda Pepa Cervera, Rocafort <\/p>\n
\u201cEchoes of Identity\u201d . Galer\u00eda Espinasse 31. M\u00f3naco. \u201c (Un)Tradicional \u201c. Galer\u00eda Espinasse 31. Madrid
\u201cEneaverso\u201d. Exposici\u00f3n en espacio Privado. Marbella. \u201cFashion Art\u201d . Castillo de Montj\u00fcic. Barcelona
\u201cCultura y Cambio tecnol\u00f3gico\u201d. Univesidad Polit\u00e9cnica. Gandia. \u201cC\u00f3pula\u201d. Navel Art. Madrid
\u201cLIFE\u201d. Espinasse 31 gallery. Milan \u201cLos Caprichos\u201d. Est Art. Madrid
\u201cAqu\u00ed cruzan nuestros caminos\u201d. Espinasse 31 gallery. Madrid.
2023<\/strong>
\u201cCultura y Cambio Tecnol\u00f3gico.\u201d N-1 Space, UPV, Valencia
\u201cSinergias 2.0.\u201d Galer\u00eda Cuatro, Valencia
\u201cThe Escape.\u201d Linden New Art, curated by Fire Escape Gallery. Melbourne, Australia
2022
<\/strong>\u201cIN\/Disciplina.\u201d Sala 30 Gallery, Castell\u00f3n
2021<\/strong>
\u201cHomenaje a Enrique Morente.\u201d Sala Las Claras, Plasencia
\u201cEllas.\u201d Galer\u00eda Cuatro, Valencia
2020<\/strong>
\u201cSinergias.\u201d Galer\u00eda Cuatro, Valencia
\u201cCultura Online #CmcVaCasa.\u201d Centre Cultural del Carmen, Valencia
\u201cC\u00f3mo encajar un cautiverio. 63 d\u00edas que cambiaron nuestra realidad.\u201d Las Naves, Valencia
\u201cValencia Ilustra Exhibition.\u201d Sala Rambleta, Valencia
2019<\/strong>
\u201cDesplazamientos Sediciosos.\u201d Las Naves, Valencia
\u201cNo Borders.\u201d Odetta Gallery, New York, USA
Group Exhibition, H\u00e0bitat Art\u00edstic Grants, Centro Cultural Castell\u00f3n
2018<\/strong>
Group Exhibition, Galer\u00eda 9, Valencia
6th Edition Mercat Gr\u00e0fic, El Diluvio Universal, Barcelona
\u201cArtgemes\u00ed.\u201d Exhibition Hall of Algemes\u00ed, Valencia
\u201cHomenaje a Higinio Mateu.\u201d Centro Cultural Las Aulas, Castell\u00f3n
\u201cA contrapedal.\u201d Galer\u00eda Pepita Lumier, Valencia
\u201cFormas de viajar.\u201d IVAM Bookstore, Valencia <\/p>\n
\u201cAstrophytum.\u201d Espacio Hygiene, Valencia
\u201cSummer Art Time.\u201d Galer\u00eda 9, Valencia
\u201cArtSpaceShip.\u201d Galer\u00eda Flecha, Madrid
\u201cCollective Exhibition.\u201d Espacio E, Le\u00f3n
Encuentros de Arte Contempor\u00e1neo 2017. MUA, Alicante <\/p>\n
\u201c100 x 100.\u201d The Makers, Madrid
4th Edition Mercat Gr\u00e0fic, El Diluvio Universal, Barcelona
\u201cEncuentro III.\u201d Galer\u00eda 9, Valencia
\u201cMardel Painting Prize.\u201d Centro del Carmen, Valencia
\u201cArt y Metamorfosi.\u201d Sala San Miguel (Caixa Castell\u00f3), Castell\u00f3n & Las Cigarreras Cultural Center, Alicante
\u201cXVI Painting Prize, University of Murcia.\u201d Fundaci\u00f3n Pedro Cano, Blanca (Murcia)
2015<\/strong>
\u201cI posquin you.\u201d 33 Gallery, Valencia
\u201cArt y Metamorfosis.\u201d Centro del Carmen, Valencia
University of Murcia Prize. Palacio Almud\u00ed Art Center, Murcia
\u201cMini cuadros. Huestes del Cad\u00ed.\u201d Footwear Museum, Huestes del Cad\u00ed
\u2013 Vicente Poveda Room, Petrer Cultural Center
\u2013 Las Cigarreras, Alicante
\u201cIbercaja Young Painting Prize.\u201d Ibercaja Patio de la Infanta, Zaragoza <\/p>\n
\u201cSelecta Suma.\u201d Atarazanas, Valencia <\/p>\n
\u201cGabinete de Hygiene.\u201d Mercado Tapineria, Valencia
\u201cValencia Cuna.\u201d Centro Cultural La Petxina, Valencia <\/p>\n
Municipal Cultural Center of Castell\u00f3n
Hybrida Art Festival. La Nau, Valencia <\/p>\n
VII Contemporary Art Fair of Ar\u00e9valo, San Mart\u00edn Church \u2013 Cultural Space of Caja de \u00c1vila
Summer Group Exhibition, Galer\u00eda Pepa Cervera, Rocafort
2009<\/strong>
3rd Graffiti Meeting of P\u00f3voa, P\u00f3voa
IV Biennial of Coruche, Sal\u00e3o Alcorucen, Coruche <\/p>\n
Ravalearte, Barcelona
\u201cLo Puig,\u201d El Puig, Valencia
Muro Cr\u00edtico, Extremadura
Collective Mural, Luisen Gymnasium Stadtteilschule, Bergedorfhule. Bergedorf.
<\/strong><\/p>\n
Pacto de Estado por la Igualdad, Ain
Crom\u00e1tica 2023, Picassent
25N, Denia <\/p>\n
Pacto de Estado por la Igualdad, Xulilla
\u201cUna elefanta sobre la tela de una ara\u00f1a\u201d (film), Villar del Humo
Cinema Jove + IKEA, Valencia
A la Mancha Fest, Alpera
Mural for Equality, Eslida
7 April \u2013 Commemorative Mural for World Health Day, Paiporta
\u201cEncarna Jim\u00e9nez\u201d Fest
<\/strong><\/p>\n
<\/strong>Fava 365 Fest, Vilanova d\u2019Alcolea
8M, Catarroja
2020<\/strong>
\u201cMujeres y Ciencia\u201d Project, UPV & Las Naves, Valencia
\u201cJUNTES\u201d Project, Red Cross, Castell\u00f3n
Big Budgie. Fire Escape, Melbourne
De Par en Part Fest, Bu\u00f1ol
\u201cUna Habitaci\u00f3n Propia\u201d TV Program, Mislata
Against Violence Fest, Valencia <\/p>\n
2024<\/strong>
Ganadora premio Redbar por la Libertad. Madrid. Espa\u00f1a Finalista VP hotel and Art Awards. Madrid. Espa\u00f1a<\/p>\n
Winner of the \u201cEncarna Jim\u00e9nez\u201d Urban Art Prize, Valencia, Spain
Winner of the Libertad Prize, Mini Cuadros Huestes del Cad\u00ed, Spain
Finalist, International Painting Competition \u2013 Tribute to Rafael Zabaleta
2nd Prize, \u201cA la Mancha\u201d Painting Competition, Alpera, Spain
Finalist, Camarote Prize, Madrid, Spain <\/p>\n
Finalist, Senyera Prize, Valencia City Council 2018
Marte Fair Prize for Best Artist of Castell\u00f3n
Acc\u00e9sit, XXI Mainel Foundation Painting Prize, Valencia 2017
Acc\u00e9sit, XX Mainel Foundation Painting Prize, Valencia
Selected, XLI National Painting Competition \u201cVila de Pego,\u201d Pego
Selected, EAC 2017 \u2014 Contemporary Art Encounters, Alicante <\/p>\n
Finalist, IV Mardel Painting Prize, Alicante
Honourable Mention, Mainel Foundation Painting Prize, Valencia
Selected, XVII National Painting Prize, Royal Academy of Fine Arts, Valencia
Selected, XL Painting Prize, Museum of Contemporary Art of Pego
Finalist, 4th International Emerging Artist Award, Dubai <\/p>\n
Selected, Fine Arts Prize, University of Murcia
Finalist, Ibercaja Young Painting Prize, Zaragoza
Finalist, S. Soria Painting Competition, 33rd Edition, Benissa, Valencia
Finalist, Seventh Biennial of Painting \u201cCiutat de Carcaixent\u201d <\/p>\n
<\/strong>
Shortlisted, Griffin Art Prize Iberia, London <\/p>\n
Finalist, Fine Arts Prize, University of Seville
<\/strong><\/p>\n
<\/strong>
Selected, Carsa-Arte Prize \u2014 International Painting Competition \u201cArt and Technology\u201d
<\/strong><\/p>\n
2nd Prize, UPV Sports-Themed Painting Competition
<\/strong><\/p>\n
Winner, Urban Art Festival of Lisbon, organized by the Lisbon City Council
Finalist, IV Coruche Biennial, Portugal <\/p>\nStatment<\/h2>\n
From this personal experience, she gradually approached the subject in a broader sense, focusing mainly on everyday actions related to different forms and motives of accumulation, from preserving memories to practices such as collecting. <\/p>\n
Another major line of her work is her mural practice, where projects with a strong social orientation particularly stand out.<\/p>\n