{"id":2224,"date":"2025-10-07T12:48:44","date_gmt":"2025-10-07T10:48:44","guid":{"rendered":"http:\/\/alejandradelatorre.com\/project\/vhs-16\/"},"modified":"2026-01-28T13:24:55","modified_gmt":"2026-01-28T12:24:55","slug":"vhs-16","status":"publish","type":"project","link":"https:\/\/alejandradelatorre.com\/en\/project\/vhs-16\/","title":{"rendered":"\u201cVHS 16\u201d"},"content":{"rendered":"<p>Images from the exhibition held at Galer\u00eda 9, Valencia, and from the VHS exhibition at Galer\u00eda Anaglifos, Barcelona.<\/p>\n<p>\u201cVHS\u201d is a project that emerges, together with other works such as \u201cLa Colecci\u00f3n\u201d and \u201cFasc\u00edculos,\u201d from a theoretical\u2013practical investigation into collecting and the relationship that binds a collector to their acquisitions, since, ultimately, it is another form of accumulation, differentiated from others by order and repetition.<br \/>\nIn VHS we encounter a collection that, directly or indirectly, we have all had. In addition, I focus on rerecordable VHS tapes, as it is within them that we find the \u201csecond collection\u201d: that of memories.<br \/>\nRerecordable VHS tapes are, after all, containers of collections of memories, of moments\u2014both through what we recorded directly from television and through recordings of memories from our own lives: births, trips, communions, etc.  <\/p>\n<p>Installation (painting, VHS tapes and video).<br \/>\nVariable dimensions.<\/p>\n<p><strong>2011 \u2013 2016<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Images from the exhibition held at Galer\u00eda 9, Valencia, and from the VHS exhibition at Galer\u00eda Anaglifos, Barcelona. \u201cVHS\u201d is a project that emerges, together with other works such as \u201cLa Colecci\u00f3n\u201d and \u201cFasc\u00edculos,\u201d from a theoretical\u2013practical investigation into collecting and the relationship that binds a collector to their acquisitions, since, ultimately, it is another [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2258,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[21],"project_tag":[],"class_list":["post-2224","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-artwork"],"acf":[],"_links":{"self":[{"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/project\/2224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/comments?post=2224"}],"version-history":[{"count":1,"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/project\/2224\/revisions"}],"predecessor-version":[{"id":2284,"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/project\/2224\/revisions\/2284"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/media\/2258"}],"wp:attachment":[{"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/media?parent=2224"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/project_category?post=2224"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/alejandradelatorre.com\/en\/wp-json\/wp\/v2\/project_tag?post=2224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}