Castellón (Spain). 1983

Graduated in Fine Arts from the Universidad Politécnica of Valencia (2007), she also studied at the   Faculdade de Belas Artes in Lisbon during the 2005 – 2006 academic year.

Master in Artistic Production at the Universidad Politécnica of Valencia 2011 – 2012.

Postgraduate in Illustration applied to design at IDEP (Barcelona) 2018 – 2019.

She has been a beneficiary of scholarships such as 3cmcv (2015), the “Habitat Artistic” grant from the City Council of Castellón (2018 and 2012) and collaboration scholarships with the Universidad Politécnica de Valencia in the painting department, among others.

She focuses his work on the plastic arts, although he develops within them with different languages ranging from street-art to video-pictorial installation.

The central theme of his most recent work is the objects and our links with them, the human need to possess and accumulate, reified memories and the passage of time; Although he also uses them, not so much to talk about the object itself, but as an element narrative to deal with other topics that interest you such as job insecurity or equality of genre.

Since 2003 she has participated in several group and individual exhibitions in Europe and the USA.

Noteworthy among the individual ones, “Grow up” carried out with the help of the art center of the University of Valencia (2016), “September” at the Las Naves center in Valencia (2014) and “Accumulations and fetishes” at the Diferença Gallery in Lisbon; and between the collective “Open borders” in Odetta Gallery of NY (2019), “Seditious Displacements” in the Ships (2019) “Art and metamorphosis” at the Museu del Carmen in Valencia (2015), Selected Sum in “Las Atarazanas” Valencia (2014) or “Hybrida Art Festival” in La Nau (2012).

She has also participated in fairs such as “Drawing Room” (Madrid 2020), “Marte” in Castellón (2019 – 2018 – 2015) or Ikas-Art in Bilbao, representing the Universidad Politécnica de Valencia (2011).

Her works are in private collections in Spain, U.K, Portugal, Belgium and the United States, as well as in the artistic fund of the UPV (Universitat Politécnica de Valencia), Castellón City Council, Valencia and the Paterna City Council.


Based on my own experience of feeling attached to my possessions, I began to investigate the relationships that people develop with the objects that surround us, the need to hold on to things and the fine line between possession and obsession, being most interested in the line established between what is considered normal and sick behavior, rethinking the parameters that separate one from the other.

From this personal experience, I began addressing the issue in a more general way, focusing mainly on everyday actions as they relate to different ways and reasons for accumulating, ranging from the need to preserve memories to others such as collecting.

Currently, in addition to using the object as the central theme of my work, I also use it as a narrative element to talk about and discuss other topics that interest me.

Attachment, accumulation, fear of emptiness, obsession, the concept of possession and memory are all key words for my art.

I create my art with the emphasis on painting, however I combine it with other techniques such as drawing, screen printing, transfer and even the presence of physical objects, creating installations where the different elements and techniques feed off each other, marking the rhythm of the viewer’s focus. Another characteristic of my pictorial research is the use of what you could call “non-noble” material and techniques, such as notepads, pieces of paper I find from old books, pages, tickets, etc., even intermingling basic techniques that we all learned during our art education to give the piece a sense of ordinariness, luring the spectator in by using familiar elements.