Murals Works

The anger

When proposed to me to do a mural in March around women’s day, once again I had that contradictory feeling between joy and sadness. Joy because being able to make a piece inside a museum is always a great opportunity, but on the other hand there was that point where it seems that right now women only have a voice in March or we only have a voice the rest of the year, but only to talk about equality and women’s rights.

With this, I am not saying that I think it’s wrong to talk about these issues, I am a feminist and if I can contribute with my work to brin gus closer to a more equal world, of course I will do it. What I am beginning to find less fair and tired of is that we are only called upon for that, as if we have no voice on any other issue. Like my colleagues, I want to be able to choose the subject of my work, I want to be able to express my opinions beyond the subject of feminism. For this reason, it seemed to me that the best claim I could make for this mural was to do something that was totally my work, with my language and my themes.

Muvim, Valencia 2023

Works

Des-camino a la mancha

Work of “Bye bye souvenir” serie.

Painting installation.

350 x 300 cm aprox.

2022

Works

Bye bye souvenir

“El Gran Carnaval” Mixed Technique on canvas 140 x140 cm

“Ka-tri-ma-us” Mixed Technique on canvas 115 x 145 cm

“Las muñecas turcas” Mixed Technique on canvas 130 x 200 cm

“Desde Pucará con Amor” Mixed Technique on canvas 80 x 80 cm

“Des-camino a la mancha” Mixed Technique on canvas 190 x 218 cm

“Lisboa Lover” Mixed Technique on canvas 140 x 140 cm

“Zhaocai Mao” Mixed Technique on canvas 80 x 80cm

“De América a Asia” Mixed Technique on paper 42 x 30 cm

“Oui Oui se Moi” Mixed Technique on canvas 145 x 114 cm

“Colombia tierra de gente pujante” Mixed Technique on canvas 145 x 114 cm

“Japan Style” Mixed Technique on canvas 100 x 73 cm

“Big Memories” Mixed Technique on paper 42 x 30 cm

“Maneki Neko” Mixed Technique on canvas 80 x 80cm

Bye bye souvenir began to take shape in December 2020, at that time we could only move within our own community, borders had suddenly reappeared.
While our parents (at least those of my generation) had lived this idea that the great journeys were made a couple of times in life, we moved around the world with an ease never seen before and suddenly all that disappears, the movement is limited to your country and depending on the moment to your community or your city, the limits are drawn more than ever and the borders become really palpable. We never thought we would lose our freedom of movement, both physically and psychologically.
I thought, what would I have given at that moment to be able to travel, even if it was just to buy a horrible souvenir…

Bye Bye Souvenir… 2022

Works

VHS 16

vhs kodak — “Kodak” Mixed technique (acrylic, marker, spray) canvas. 70x50cm

“Sony Dynamicron” Mixed technique (acrylic, marker, spray) canvas. 70x50cm

“Avilyn” Mixed technique (acrylic, marker, spray) canvas. 70x50cm

Vhs Tdk — “TDK” Mixed technique (acrylic, marker, spray) canvas. 70x50cm

Vhs Synklon — “Synklon” Mixed technique (acrylic, marker, spray) canvas. 70x50cm

Vhs SKC — “SKC” Mixed technique (acrylic, marker, spray) canvas. 70x50cm

Vhs Silver — “Silver” Mixed technique (acrylic, marker, spray) canvas. 70x50cm

Vhs polaroid — “Polaroid” Mixed technique (acrylic, marker, spray) canvas. 70x50cm

Vhs Mark — “Mark” Mixed technique (acrylic, marker, spray) canvas. 70x50cm

Vhs Basf — “Basf” Mixed technique (acrylic, marker, spray) canvas. 70x50cm

Vhs afga — “Afga” Mixed technique (acrylic, marker, spray) canvas. 70x50cm

Vhs Ayomi — “Ayomi” Mixed technique (acrylic, marker, spray) canvas. 70x50cm

Vhs Mitsuri — “Mitsuri” Mixed technique (acrylic, marker, spray) canvas. 70x50cm

Fotage of VHS exposition at Galería Anaglifos, Barcelona.

Fotage of VHS exposition at Galería 9, Valencia.

“VHS” is a project that, like “the collection” and “fascicles”, are artworks that comes from an theoretic/practice investigation in relation to collecting and the link that a collector have to their acquisitions. It a way of accumulating, it’s differenced by organization and repetition.

In VHS we find a collection that directly or indirectly we all have had in our lives. In this project i focus on the re-recordable VHS, in which we find the “second collection” of memories. They containers of memories, moments; from things we record on TV, moments of our lives…

2011 – 2016

Works

Vhs

“Frames desechados” duración 4.45 minutos

Installation (paint, vhs tapes and video).
Variable dimensions.

Works

Folders

“FOLDER” is the representation of adolescence, that moment where we establish who we are and to which tribe we belong to through customizing / decorating our folders. Collage of images, drawings and quotes through we represent ourselves, putting us in a box.

Mixed Technique (collage, ink, marker, graphite) between methacrylates 130 x 40 cm

2016

Works

Childhood

“Childhood”

Installation (composition of drawings and paintings and school chairs).

120 x 200 cm

2016

Works

Heritage

Herencias 1 — “Heritage 1” Mixed technique (acrylic, marker, spray) canvas. 140x140cm

Herencias 2 — “Heritage 2” Mixed technique (acrylic, marker, spray) canvas. 140x140cm

Herencias 3 — “Heritage 3” Mixed technique (acrylic, marker, spray) canvas. 140x140cm

Herencias detalle — “Heritage Detail” Mixed technique (acrylic, marker, spray) canvas. 73x73cm

“Heritage 4” Mixed technique (acrylic, marker, spray) canvas. 140x140cm

Herencias — “Heritage” Mixed technique (acrylic, marker, spray) canvas. 140x140cm

Herencias 6 — “Heritage 6” Mixed technique (acrylic, marker, spray) canvas. 140x140cm

Herencias 7 — “Heritage 7” Mixed technique (acrylic, marker, spray) canvas. 140x140cm

Herencias 8 — “Heritage 8” Mixed technique (acrylic, marker, spray) canvas. 140x140cm

Herencias 9 — “Heritage 9” Mixed technique (acrylic, marker, spray) canvas. 140x140cm

Herencias 10 — “Heritage 10” Mixed technique (acrylic, marker, spray) canvas. 140x140cm

Herencias 11 — “Heritage 11” Mixed technique (acrylic, marker, spray) canvas. 140x140cm

“Heritage 12 detail 3” Mixed technique (acrylic, enamel, spray, graphite) on canvas. 73x73cm

“Heritage 13” 140 x 140 cm Mixed media (acrylic, spray, marker) on canvas

“Heritage 14 Winning Horse” 140 x 200 cm Mixed media (acrylic, spray, marker) on canvas

“Heriatge 15” 114 x 146 cm Mixed media (Acrylic, spray, marker) on canvas

Someone is conscious of a change when they face the same object or situation and their reaction is different.

One day, I was visiting my grandma, and i found out once again with one of those little porcelain figures that everyones grandma would have at their house. I’ve always found them quite ugly, and i never understood the reason for them, neither in which moment people found them in any way appealing. But in that exact moment my perception of them changed and suddenly i discovered myself appreciating them differently.

“HERITAGE” it consists on a series of frames, where i represent my grandma’s porcelain figures through a new look, it’s called maturity. In these pieces grows a universe through a subtle juxtaposition of different languages and iconographic elements, in which the objects are used as fetish to build up the meaning of life and whats lived.

2016 – Nowadays

Works

The stigma of the unemployed

We come from a time when we believed that with our training we would get what we wanted. We had invested in careers, languages, unpaid internships. But quickly, our dream vanishes, the negatives begin when it comes to finding work. That curriculum that seemed so complete now seems full of useless things. You do more courses and you lock yourself in your study, you have to invest all your time in the search for a job, everything else is wasting time and money. Every time you are more isolated, you no longer feel connected to the university, much less to the working world and suddenly, without realizing it, you have gone from being a person full of hopes, ideas and energy, to becoming an isolated being , insecure and without strength to prove what you were worth before, a bug.

“El estigma del Parado”

Installation (real objects, drawing and painting).

350 x 250 cm

2015

Work done thanks to the 3cmcv help of the Valencian Community Museum Consortium.